2024 T-Shirt Artist: John Hoban

1. How did you get involved in the arts?
I blame my mom…she encouraged me to draw as soon as I was able. From those moments on, I always wanted to be an artist/ illustrator. When I got to college, I fell in love with education and eventually got my degree, teaching license, and Master’s degree. I’ve been teaching with the Duluth public schools for the last 26 years and have been making art all the while. About 13 years ago, I decided to self-publish my own comics and sell them at comic and horror conventions. Conventions have been an invaluable resource for making connections and meeting life-long friends. I’ve done multiple shows in Chicago, Minneapolis, Des Moines, and Madison. I’m currently looking to expand my reach outside the midwest.

2. Who are the artists that you admire?
I remember really liking John Severin’s art in comics and Cracked magazines as a kid. I then grew to like Erik Larsen’s art in comics like Spider-Man and The Savage Dragon. For painters, I like Carravaggio and Hieronymus Bosch. Today, I’m most influenced by current comic artists, as well as the visuals of horror movies and shows.

3. Where can people find your art and more about you?
I post most of my art and convention photos on my Facebook page. I have an Instagram, but there isn’t much on it yet. I’ll eventually have a website and an online store, but for now I have some of my stuff on T-public. That’s where my brother got his ‘Smurfipede’ shirt. (Yeah…it’s exactly what it sounds like.)

4. What is the greatest accomplishment so far in your career?
So far, my favorite accomplishment of my career is the interior work I did for Lords of the Trident’s latest album, ‘The Offering’. I had randomly met the band at a comic convention afterparty and was blown away by their music and performance. I remained in contact, which led to them asking me to design some T-shirts for their annual ‘Mad with Power’ metal festival in Madison, WI.  They pitched me their idea of a concept album and asked if they could hire me to draw a picture for each song. This project was outside of my comfort zone, but I accepted out of my belief in the band. My art now accompanies each song lyric on the interior of both the CD and vinyl version of ‘The Offering’. The band also made a lyric video of the drawings which was pretty cool. I’m sure Cory Jezierski would want me to say that my greatest accomplishment is the print I drew of the Greasy Strangler. That’s definitely up there.

5. Do you have any words of wisdom for those starting off in the art world?
I have had to use an unholy mixture of persistence, anxiety, passion, fortitude, alcohol and false confidence to gain any little bit of traction or advancement as an artist. I guess it’s always normal for an artist to be self-critical because when we see our own artwork, we always see the things we wish we could change and view as mistakes. Pushing through that and showing your art can be tough because it feels like your guts are on display for all to see. It’s so necessary to do uncomfortable things and take chances…and you’ll be a better artist for it. Oh…yeah…and if anyone ever gives you any kind of criticism or negativity without offering advice or a path to improve, their opinion is invalid.

2024 Field Guide Artist: Annmarie Geniusz

1. How did you get involved in the arts? 
I was born into an artistic family. Most of the adults around me while I was growing up were working in the arts, or very active craft artists. My education before I could read involved sitting in on my artist father’s color theory classes, learning how to draw color wheels along side his adult students.
In Duluth I started getting involved in the arts community by hanging out at Wussow’s Concert Cafe and making fan art of my favorite local bands. A great example of this era of my art is the Woodblind coloring book.

2. Who are artists that you admire?
We are really blessed with a strong arts community here in the Twin Ports. A few of my local artist heroines/heroes are Sarah Brokke, Shannon Johnson, Brian Barber, Jonathan Thunder, Adam Swanson, Moira Volliard , & Karin Kraemer. I love how each is so dedicated to uplifting other artists and growing the local artistic community.

3. Where can people find your art and more about you? 
I have a web page (www.ageniusz.com) and am fairly active in my public social media pages (FB/IG: ageniusz_art) . During the month of April I will have a small art show up at the Hillside Co-op. I have work for sale at Alt Creative and Lizzards here in Duluth, and at Canvas Convergence in the Twin Cities.
I am also an active street painter/chalk artist. In the summer months you can literally stumble over me on sidewalks around the Twin Ports, hire me to temporarily decorate pavement for/at your event, or you can visit me working on large scale murals at many of the Chalk Art Festivals in our region.

4. What is your greatest accomplishment so far in your career? 
Making the cover for the 2024 Homegrown Music Festival is a huge honor! It is arguably the coolest job in the Twin Ports art scene.
Besides that I was recently voted the “Northland’s Best Local Artist” in the Reader, I was a 2023 artist in residence at the Science Museum of Minnesota, and recently won an important professional chalk artist award at the “Bloom in Chalk” festival in Safety Harbor, Florida. I always assume “the  greatest” is yet to come, but those have been some big highlights so far!

5.Do you have any words of wisdom for those starting off in the art world?
Every artist invents their own way to make art. No amount of education or youtube or expensive art supplies can make up for just personal experimentation and experience. I’ve taken art classes my entire life, but in many ways I am still considered “self taught” in my favorite mediums. You just need to make/experiment/play in some form of art every single day. Gather tips from others, take classes when you can, but ultimately you just need to make art and keep making art.

2024 Application Letters

Homegrown Applicants,

By now you are starting to see that acceptance and rejection letters are going out for the 2024 Festival.

On behalf of the whole Steering Committee I’d like to remind you not to get too discouraged if you don’t get accepted this year. It doesn’t mean that you will never get accepted, or that we don’t recognize your contributions and value to the local music scene.

To give you some perspective, we receive between 250 – 300 applications every year. This year we had 148 spots to fill. The band selection sub-committee (admittedly overseen by myself) has a very tough job in going through all the applications to put together a Festival that includes established acts, new acts and all types of music all while trying to get as many people involved as we can. I can assure you it’s not a guilt free job.

Please continue to do what you do, and apply again next year! Both the local music scene and the Festival depend on you keeping your heads up and your amps cranked!
If you ever have any questions about Festival operations please feel free to reach out to us through social media or our website www.DuluthHomeGrown.Org

Cory Jezierski
Co-Director
Duluth Homegrown Music Festival
Cory@DuluthHomegrown.org